#Matchbook romance tiger lily full#

The guitar that is played by Ryan DePaolo is rather good considering the genre it is under. Relationships are the central part of most songs, but the redeeming thing is that even though they are about the same subject, they don’t really ever say the same thing.

Lyrically, well, what do you expect, it’s pop-punk. He only attempts any screaming twice, but it is mixed in the background incredibly low, which is refreshing because evidently it has become a trend for many pop-punk bands to think they have to include screaming in most of their songs to be “fresh”, which is ridiculous. Intelligently written song structures and lyrics that individualize each and every song.įirst off, the vocals from Andrew Jordan are very good and would fit any pop-punk band well.

#Matchbook romance tiger lily full#

Sure their songs are full of hooks and are catchy as hell, but their latest album, Stories and Alibis, offers so much more. That band is obviously Matchbook Romance.

Well, I can finally say that there is a pop-punk band that doesn’t need these things to gain a crowd.

Y yo (yo.), no quiero decir estas palabras Porque yo (porque yo.), no quiero empeorar las cosas Y yo (yo.Pop-punk, a genre known for simplicity and songs that only offer hooks and catchiness to attract the listener. ¿Por qué esta noche tiene que terminar? ¿Por qué no presionamos reiniciar ¿Y pausarla en nuestras partes favoritas? Nos saltaremos las despedidas Si lo tuviera a mi manera Daría la vuelta al coche y huía Sólo tú y yo Y yo (yo.), no quiero decir estas palabras Porque yo (porque yo.), no quiero empeorar las cosas Y yo (yo.), no quiero decir estas palabras Porque yo (porque yo.), no quiero empeorar las cosas Y quiero decir estas palabras Pero supongo que me morderé la lengua Y aceptar «algún día, de alguna manera Como las palabras de las que colgaremos Y si sólo pudiera detener el coche y Agárrate de ti y nunca te sueltes (y nunca te sueltes) Nunca lo dejaré ir (nunca lo dejaré ir)Ĭomo estamos a la vuelta de la esquina de su casa Te volviste hacia mí y dijiste Voy a pasar por la retirada de ti Por esta noche hemos pasado Why does tonight have to end? Why don't we hit restart And pause it at our favorite parts? We'll skip the goodbyes If I had it my way I'd turn the car around and runaway Just you and IĪnd I (I.), I don't want to speak these words 'Cause I ('cause I.), I don't want to make things any worse And I (I.), I don't want to speak these words 'Cause I I don't want to make things And I, I don't want to make things any worseĬonducimos esta noche Y tú estás a mi lado Estamos hablando de nuestras vidas Como si nos conociéramos desde siempreĮl tiempo pasa volando Con el sonido de tu voz Está cerca del paraíso Con el final seguramente cerca The time flies by With the sound of your voice It's close to paradise With the end surely nearĪnd if I could only stop the car and Hold onto you and never let go (and never let go) I'll never let go (I'll never let go)Īs we round the corner to your house You turned to me and said 'I'll be going through withdrawal of you For this one night we have spent'Īnd I want to speak these words But I guess I'll just bite my tongue And accept 'someday, somehow' As the words that we'll hang fromĪnd I (I.), I don't want to speak these words 'Cause I ('cause I.), I don't want to make things any worse And I (I.), I don't want to speak these words 'Cause I ('cause I.), I don't want to make things any worse We drive tonight And you are by my side We're talking about our lives Like we've known each other forever